Forget the Effort: Simply Flow
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"On the path, in the search, every step has two sides: the beginning of the step, and the conclusion. The beginning will always be with conscious effort, it is bound to be so. A struggle..."
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"On the path, in the search, every step has two sides: the beginning of the step, and the conclusion. The beginning will always be with conscious effort, it is bound to be so. A struggle..."
Osho continues:
"There will be moments of intense happiness also. Whenever you regain the control again, whenever even for moments you become the master, whenever even for small glimpses you become capable, you will feel intense joy spreading all over your being.
"Peaks and valleys will be there. They will disappear only when the conscious effort has disappeared, when the method is no more a method, when the method has become your very consciousness, when you need not remember it, when you can completely forget it and it still grows, continuous, flows, when you need not maintain it, when you need not even think of it – and then it becomes spontaneous, sahaj. This is the end aspect of every step. Remember this: through constant practice a moment comes when you can drop the practice completely, and unless you can drop the practice you have not attained.
"Taoist masters have used many dimensions: poetry, painting, and many other crafts have been used as training grounds. Painting has been used for centuries in China and Japan. Taoist painting has a principle, and that principle is that first one should become proficient in painting, in the technique of painting – it takes many years – and then for a few years one has to drop painting completely. One has to forget that one is a painter; throw the brushes, colors, inks, and just drop from the mind that one has learned something. For a few years one has to be completely away from painting. When the thought has dropped, then again the master says, 'Now you start.' Now this man is not a technician. He knows the technique but he is not a technician, because there is no need to be aware of the technique. Now he can paint like a small child. The effort has ceased, to paint has become effortless. Only then master-teachers are born.
"I remember one story I would like to tell you. It happened once in Burma that a great temple was to be built, and the main door had to be something unique on the earth. So many painters, Zen masters, Taoist masters, were asked, and the one who was the greatest was invited to design the door."
"Peaks and valleys will be there. They will disappear only when the conscious effort has disappeared, when the method is no more a method, when the method has become your very consciousness, when you need not remember it, when you can completely forget it and it still grows, continuous, flows, when you need not maintain it, when you need not even think of it – and then it becomes spontaneous, sahaj. This is the end aspect of every step. Remember this: through constant practice a moment comes when you can drop the practice completely, and unless you can drop the practice you have not attained.
"Taoist masters have used many dimensions: poetry, painting, and many other crafts have been used as training grounds. Painting has been used for centuries in China and Japan. Taoist painting has a principle, and that principle is that first one should become proficient in painting, in the technique of painting – it takes many years – and then for a few years one has to drop painting completely. One has to forget that one is a painter; throw the brushes, colors, inks, and just drop from the mind that one has learned something. For a few years one has to be completely away from painting. When the thought has dropped, then again the master says, 'Now you start.' Now this man is not a technician. He knows the technique but he is not a technician, because there is no need to be aware of the technique. Now he can paint like a small child. The effort has ceased, to paint has become effortless. Only then master-teachers are born.
"I remember one story I would like to tell you. It happened once in Burma that a great temple was to be built, and the main door had to be something unique on the earth. So many painters, Zen masters, Taoist masters, were asked, and the one who was the greatest was invited to design the door."
More Information
| Publisher | Osho International |
|---|---|
| Duration of Talk | 91 mins |
| File Size | 23.13 MB |
| Type | Charla Individuo |
| Edition/ Version | 2 |
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